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Joe Walsh: “We just said, “Hey, we’re not going to tell you what to play! You can play anything you want, dude and it’ll be just fine with us.” Nicky was at his absolute best. Nicky is a big part of my work and I think of him often.” Pete Townshend: “Nicky was a great talent…He is gone but his wonderful playing will live on and I’m proud that so much of his work will be heard as part of my own. He managed to give “Days,” for instance, a mysterious religious quality without being sentimental or pious. On a ballad, he could sense which notes to wrap around the song without being obtrusive. But he had the ability to turn an ordinary track into a gem – slotting in the right chord at the right time or dropping a set of triplets around the back beat, just enough to make you want to dance. Ray Davies: Nicky, unlike lesser musicians, didn’t try to show off he would only play when necessary. Here are some other artists talking about Nicky. The first I heard of him was reading he played piano on Revolution by the Beatles. I’ve read about Nicky from other artists books when I was younger but didn’t know until the internet how many great recordings he played on…Also that he sometimes toured with bands like the Stones on perhaps their greatest tour…the 1972 tour.
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He later joined the Jeff Beck Group and was a full member of the Quicksilver Messenger Service. In the studio, he played with the Beatles, Who, Kinks, Rolling Stones and just about everyone else of that era. Because of illnesses, he started to play on studio sessions. Nicky Hopkins started with Screaming Lord Sutch’s Savages, which also included Jimmy Page… He played with the Cyril Davies All-Stars, one of the first British rhythm & blues bands. He was one of the busiest session men in the business. But whether intentional and foreseeing or otherwise, in contemporary retrospect, Sherbert acts as a sort of preamble to the kind of slacker lo-fi that would colonize college radio by the time the 80’s were ready to roll over.I’ve never been a keyboard player…but when I think of keyboardists this man comes to mind. Punk aesthetics may have already began spilling over in the underground scene, but the recording industry itself was still a good decade away from properly embracing the budget-savvy marketing tacks of DIY.

Little Child,” “Hook and Crook” and the title track all come together into that comely twist of sparkled pop and Memphis boogie-woogie that you’d be hard-pressed to find anywhere else.It’s easy enough to see why Sherbert’s recording quality was maligned at the time of release.
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“Girl After Girl,” “Hey! Alex Chilton Like Flies Rar Files Alex Chilton Like Flies Rar Lyrics He coats KC and the Sunshine Band’s “Boogie Shoes” in strokes of early Costello-esque disco punk, gives Ernest Tubb’s honky-tonk Americana “Waltz Across Texas” the full-body treatment, and manages to preserve “Alligator Man’s” Cajun tilts while giving the song his distinctly elegant sheen.As for the originals that make up the main volume of Sherbert, they are as patently Chilton as they are fractured. Unfiltered though it may be, the album retains scores of instants that had previously made Chilton’s stretches in the Box Tops and Big Star such taut exercises in power pop perfection.

At the time of release, it was mostly dismissed as a lazily-strung collection of studio toss-offs, thrown together in slapdash fashion and casually thrown out into the ether.But for all its erratum implications, at the very least, Sherbert carries the appeal of a prolific and nuanced musician laying his process bare. False starts, instrumental lapses, wonky tuning, and odd vocal tics that are usually tightened up or struck out on repeated takes are all left on record.
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It was in the middle of that professional recession that Like Flies on Sherbert came to be, threaded together in ’79 and put out a year later.There’s a sense of artful detachment running through most of Sherbert. After wrapping up Big Star’s tour behind Third, he’d retreated back to Memphis and would spend the next few years playing around in cover bands and rarely venturing out of his home state. Review Summary: A pratfall into beauty.For all intents and purposes, between 19, Alex Chilton had all but disappeared from the public eye.
